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Clavia | Nord Lead A1 |
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Description | Producing stand-out sounds for live or for the studio, the Lead A1 is ideal for all musical genres. Thanks to its carefully thought-out user interface, the Lead A1 encourages experimentation, allows for far speedier programming than would otherwise be possible, and ultimately delivers sensational sonic results. MAIN FEATURES Oscillators - Unique Oscillator concept - 8 Oscillator Configurations - Pitch, Detune, Shape, Sync, AM, Noise, Sub Mix, FM - Traditional Analog and Digital Waveforms - Unison Modulation - LFO with 5 waveforms - Mod Envelope - LFO as additional ModEnv Filter - 12, 24 dB low-pass filters - High-pass and Band-pass filters - Transistor and diode ladder filter simulations of Mini and TB-303 Effects - Ensemble, Chorus, Phaser, Flanger, Ring Modulator, Drive Performance - 4-part multi-timbral - Master Clock Sync of Arpeggiator, LFO and Delay - Velocity and Mod Wheel Morph - USB MIDI Special features - Mutator - Like Button - Extra Fat Unison mode ANALOG MODELING. At the heart of the Lead A1 is a new analog modeling engine. Taking virtual analog synthesis to the next level, this modeling recreates a total analog signal path with uncanny realism, and is capable of immense sonic variety. With 26-voice polyphony and four simultaneous synthesizer parts, the Lead A1 is a true synthesizer powerhouse that goes far beyond the current trend for limited capability analog reissues. |
| Brand | Clavia |
| Model | Nord Lead A1 |
| Device | Synth |
| Type | Keys |
| Engine Type | Digital |
| Engine | VA, PM, WT |
| Voices (max) | 26 |
| Multitimbral | 4 |
| Oscillators | 1 |
| LFO | 2 Sample & Hold, Saw Up, Saw Down, Square, Triangle, Clocked, Key Sync |
| Noise | Y |
| Engine Detailed | 1 Digital Oscillator. Pulse Variable, Saw Down, Saw Up, Sine, Square, Super Saw, Triangle, Wave Table, White Noise |
| Filter (VCF) | 1 12dB Slope (2-pole), 24dB Slope (4-pole), Band Pass, High Pass, Notch, Resonance |
| Envelope (VCA) | 2 Attack, Decay, Sustain, Release, Looping, Time |
| FX | Flanger, Phaser, Ring Modulation, Chorus, Ensemble and Drive. Delay: tap tempo, four stages of feedback, stereo ping-pong, dry/wet mix. Reverb: Room, Stage 1, Stage 2, Hall 1, Hall 2 |
| Memory | 400 patches, 200 multipatches |
| Arpeggiator | up, down, up/down and random |
| Keys | 49 |
| Key type | Keys |
| Velocity | Y |
| Aftertouch | N |
| Audio | Stereo out |
| Midi | I-O, USB |
| Produced: | 2015 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
