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Clavia | Nord Lead 2X |
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Description | The Nord Lead 2X has the same characteristic sound and functions as the Nord Lead 2, except for some improvements: X-tra polyphony: The Nord Lead 2X comes with 20 voices polyphony - very useful when creating layered sounds, "power pads", awesome leads and booming basses. 20 voices are also very beneficial in sequencing situations when you use more than one sound at a time. X-tra memory: The Nord Lead 2X comes with a large internal memory holding 4 x 99 user Programs, 100 user Performances and 4 x 10 user Percussion Kits plus 6 x 99 factory Programs and 3 x 100 factory Performances! The Nord Lead 2X is 100% patch compatible with the Nord Lead 2 which means that you can transfer sounds directly between the models via MIDI. X-tra high resolution: The awesome sound in the Nord Lead 2X is refined even further thanks to the brand new, crystal clear 24-bit DACs running at 96kHz. The Nord Lead 2X features all the characteristics of its predecessor, and incorporates many new features as well. The “in your face” sound of the Nord Lead 2X has been enhanced with 24-bit D/A converters. The preset memory houses 7 x 99 factory Programs, 3 x 100 factory performances, and 7 x 10 Percussion Kits. Additionally, the user banks give you room to store your own sounds - 3 x 99 Programs, 3 x 100 Performances, and 3 x 10 Percussion Kits. The polyphony has been upgraded to 20 voices as well. The Nord Lead 2X is compatible with the Nord Lead 2, so you can transfer your custom sounds directly via MIDI. The Nord Lead 2X preserves all the essential parts of the Nord Lead 2, including the user fast and easy interface and its characteristic sound. The Nord Lead 2X continues the tradition of Nord’s unique method of sound generation. Mathematical simulations of the signals generated by analog oscillators are the basis for the sound that speaks for itself. People know Nord by its sound, and the Nord Lead 2X gives you that certain quality that is unmistakable! |
| Brand | Clavia |
| Model | Nord Lead 2X |
| Device | Synth |
| Type | Keys |
| Engine Type | Digital |
| Engine | VA |
| Voices (max) | 20 |
| Multitimbral | 4 |
| Oscillators | 2 |
| LFO | 2 LFO's (triangle, sawtooth, random) control OSC 1 or 2, filter, pulse-width, ADSR envelope |
| Noise | Y |
| Engine Detailed | 2 VSM oscillators: sine, triangle, sawtooth, pulse and noise. 24 bit D/A |
| Filter (VCF) | 12 dB/oct 2-pole lowpass, 24dB/oct 4-pole lowpass / bandpass / highpass (both with cutoff, resonance, env amount, env velocity, key tracking, ADSR envelope) |
| Envelope (VCA) | ADSR envelope and Amplifier Gain control |
| Memory | 3x99 patches user, 7x99 Preset, 300 user performances , 300 Preset performances, 7x 10 Preset drum kits, 3x 10 Preset drum kits |
| Keys | 49 |
| Key type | Keys |
| Velocity | Y |
| Aftertouch | No |
| Midi | I-O-T |
| Produced: | 2003 - 2003 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
