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Ciat Lonbarde | Tocante Karper
|The Tocante line of musical instruments is "about" and "touching" the materials of electronics. Each touchpad represents a pitch according to industry "preferred numbers," chosen by old wartime engineers for non-musical purposes. Here they form a unique and haunting musical scale, not unlike that of a gamelan or the neutral intervals of Persian music. Beyond these base pitches, three golden sandrodes flank each touchpad; touching these androgynous nodes yields intermodulation, pitch and timbral shifts, and emergent chaotic masses.
Karper is the newest idea, using 24 separate 8bit microcontrollers to do that many parallel Karpluss-Strong string synthesizers, in the tocante scale. Each string has a trigger and two sources of "the noise of computation" or the least significant, hairiest bits magnified as 1bit music (T.P.) These can be output to the trigger, or two circuit-bending nodes that change the octave and pitch degree, or simply listen to the noise of computation on a braided, inner pre-amp.
|Engine Detailed||Noice OSC|
|Key type||Touch plates|
|Legend:||Obvious||Y: Yes, N: No, N/A: Not Applicable|
|VCO||Voltage Controlled Oscillator||DCO||Digital Controlled Oscillator|
|LFO||Low Frequency Oscillator||Sub||Sub Oscillator|
|VCF||Voltage Controlled Filter||VCA||Voltage Controlled Amplifier|
|Velocity||As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key.||Aftertouch||Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.|
|Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.|