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Audiothingies | MicroMonsta |
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Description | The Micromonsta is an 8-voice polyphonic desktop synthesizer. Small, powerful, great sound, usability and easy editing were key elements while designing the Micromonsta. The MicroMonsta 8-voice Polyphonic Desktop Synthesizer has full 8 voices of polyphony that can be played at once for big strings, ensembles, and huge evolving drones. The MicroMonsta synthesizer engine quite powerful based on 2 oscillators, 1 sub oscillator, 1 multimode filter, 3 envelopes, 3 LFOs, 6 modulation slots, 3 scalers, 1 lag operator per voice. All connected by a deep modulation matrix (with for example filter parameters, envelope or LFO speeds as destination). Additionally, there are 12 oscillator source wave types and 30 (multi-sampled) wavetables (15 factory featuring both evolving sweeps and totally random wavetables + 15 user for your own creations). Dial in any of the 8 filter types including: Band Pass, High Pass, Low Pass, Notch, Phaser types with resonance. Powerful detuning options (both per voice and per oscillator) along with a powerful arpeggiator with step pattern editor, slide and accent capable for 303-ish arpeggiated phrases. As well as a chorder module allowing the generation of 4-note chords within a key/scale. Make great performance functions. For adding space and time to your patches, there are Internal digita effects including Stereoizer, Ping pong delay, Stereo delay, Stereo modulated delay and Stereo chorus/flanger effects. To keep track and build your own library of MicroMonsta sounds. There are 384 user preset slots to store and recall your sound creations at any time. |
| Brand | Audiothingies |
| Model | MicroMonsta |
| Device | Synth |
| Type | Desktop |
| Engine Type | Digital |
| Engine | VA, PM, Wavetable |
| Voices (max) | 8 |
| Multitimbral | 1 |
| Oscillators | 2 |
| Sub | 1 |
| LFO | 1 Noise, Sample & Hold, Saw Up, Sine, Square, Triangle, Key Sync |
| Noise | Y |
| Engine Detailed | 2 Saw Up, Sine, Square, Sub Oscillator, Super Saw, Triangle, Wave Table |
| Filter (VCF) | 1 6dB Slope, 12dB Slope (2-pole), 18dB Slope, 24dB Slope (4-pole), Band Pass, High Pass, Low Pass, Notch, Phase Warp , Resonance |
| Envelope (VCA) | 3 Attack, Delay, Sustain, Release, Slope, Triggered |
| FX | 1 Stereoizer, Ping pong delay, Stereo delay, Stereo modulated delay and Stereo chorus/flanger effects. |
| Memory | 384 Patches |
| Arpeggiator | step pattern editor, slide and accent capable for 303-ish arpeggiated phrases. As well as a chorder module allowing the generation of 4-note chords within a key/scale. |
| Keys | 0 |
| Key type | N/A |
| Velocity | N/A |
| Aftertouch | N/A |
| Audio | Stereo put |
| Midi | I-O, USB |
| Produced: | 2016 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
