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Analogue Solutions | Leipzig SK
Leipzig-SK is a 100% analogue synth using circuits that date back to the 1970s and 1980s. These give Leipzig-SK a really old sound that is rich and full of character.
Leipzig-SK has a huge sound, especially when used for bass accoding to customers. Though a master at big bass sounds, Leipzig-S is also good at making electronic percussion. Not just the sounds, but also percussive loops by using the on board step sequencer. Patterns can quickly be produced, then either easily sync’ed to your DAW, or sampled in.
As well as bass and percussion, Leipzig-SK will produce leads, effects, modular style andother sounds equally well.
Many of the controls can route more than one signal to a destination. There are many modulation choices on the rotary select switches. The on board sequencer is not just for making simple melodies or percussive loops. Think of it also as a modulation source. Each step can be used to drastically change the sounds. This makes it also serve as a simple way of making ‘presets’. Just step to get the next sound. The sequencer can control the pitch of either VCO, and also the filter cut-off.
The sequencer will respond to MIDI Sync, but it is far better and easier to sync to MIDI Note. That way you can clock the sequencer at any tempo, divide the tempo down (relative to your DAW’s tempo), stop it, start it, mute, etc, all from your DAW. Something that you cannot do with MIDI Sync.
Leipzig-SK has a 37 key keyboard.
|LFO||1 Square, Triangle|
|Engine Detailed||2 VCO Pulse Variable, Saw Down, White Noise|
|Filter (VCF)||24dB Slope (4-pole), Low Pass, Resonance|
|Envelope (VCA)||2 ADSR|
|Audio||Stereo out, 2 in|
|CV-gate||2x CV I-O, Gate I-O|
|Extra info||Midi to CV|
|Produced:||2010 - 2010|
|Legend:||Obvious||Y: Yes, N: No, N/A: Not Applicable|
|VCO||Voltage Controlled Oscillator||DCO||Digital Controlled Oscillator|
|LFO||Low Frequency Oscillator||Sub||Sub Oscillator|
|VCF||Voltage Controlled Filter||VCA||Voltage Controlled Amplifier|
|Velocity||As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key.||Aftertouch||Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.|
|Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.|