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Akai | X7000
The X7000 was Akai's first major Sampler Keyboard instrument similar in style and format to the E-mu Emax, Ensoniq Mirage, EPS and Roland S-10 sampling keyboards. The X7000 has about the same sampling features as the rack-mount S-900, which were great in 1986. Variable 12-bit sampling up to 40kHz, 128K RAM for storing only a few seconds worth of samples and a complete suite of basic sample editing functions including looping, auto-looping, truncating, multi-sampling and re-sampling capabilities, tuning and so on. It even features a few dedicated parameter buttons above the keyboard for quick access to the LFO and other modulations.
This sampler sounds pretty good. It's got a lo-fi edge due to the fact that it's only a 12-bit rather than 16-, 20- or 24-bit sampler. The slow 2.8" built-in disk drive is not exactly compatible with much. But you can use it to store your samples or load samples from libraries for Akai's S-612, S-700 and X7000. Editing samples is straight forward and makes this synth a great entry-level sampler. However, the LCD display is small so editing can be tedious. It also features a cool analog-like filter with cutoff. But for enhanced analog-like editing, the X7000 can be hooked up to the AX73, AX60and VX90 synthesizers via the DD-X5013 Voice Cable so you can run the X7000's samples through these synth's analog circuitry.
The built-in keyboard makes the X7000 good for performances and it also makes a good first Keyboard for any budding musicians looking to get into sampling, either for cheap or for some lo-fi sampling. However, it does have advanced functions for users looking for some more elaborate or malleable sounds. These include the multi-sampling and re-sampling functions, sample reversing and alternating, keyboard splitting, and the option to upgrade using the Expansion Memory PCB which increases the number of samples available to 16 and boosts multi-sampling from 6 to 16 splits. There was also a rack-mount version, the S-700, also a few leaps ahead of the original S-612 but also still a couple steps behind the classic S-900.
|Sampler||12-bit linear, 4kHz - 40kHz variable sampling rates|
|Envelope (VCA)||Release Time Control (Decay)|
|FX||Vibrato from the LFO|
|Memory||128K internal RAM (8 seconds at 4kHz); 2.8" Quick Disk (QD) External storage|
|Extra info||X7000 can be hooked up to the AX73, AX60 and VX90 synthesizers via the DD-X5013 Voice Cable so you can run the X7000's samples through these synth's analog circuitry.|
|Produced:||1986 - 1986|
|Legend:||Obvious||Y: Yes, N: No, N/A: Not Applicable|
|VCO||Voltage Controlled Oscillator||DCO||Digital Controlled Oscillator|
|LFO||Low Frequency Oscillator||Sub||Sub Oscillator|
|VCF||Voltage Controlled Filter||VCA||Voltage Controlled Amplifier|
|Velocity||As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key.||Aftertouch||Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.|
|Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.|