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Akai | Rhythm Wolf
Rhythm Wolf combines a drum machine, bass synthesizer, and step sequencer into one rugged device with a fierce, 100% analog signal path.
Take the beat off the leash with fully tweakable kick, snare, open and closed hi-hat, and accent percussion sounds. Use the oscillator with selectable waveforms (sawtooth/square wave) and analog filter to create bass sequences that squelch and growl. Gate Trigger In/Out, USB MIDI, and 5-pin MIDI In/Out enable Rhythm Wolf to join your inner-circle of vintage and modern gear to integrate with hardware synthesizers, sound modules, DAWs, and more.
A 32-step standalone sequencer and six custom-calibrated MPC-style pads are onboard for extensive programming and finger drumming. Mute/solo, intro/fill and sequence A/B switches give you the space to roam with complete control over your beat.
Carve out the perfect drum textures with continuously variable volume and tuning for each part. The kick drum attack and decay are adjustable for transients that hang, bang, and crush. Snare and open hi-hat also feature decay controls for unique sound design while the adjustable accent percussion can be modulated to click, punch, knock, "shush" and more.
Make basslines with a tweakable, onboard bass synth. Envelope, filter and waveform controls let you design low-end bass. Filter Resonance and Cutoff add distinction and movement to live or studio performances, while the step-sequencer keys let you program parts across a 3-octave scale.
Rhythm Wolf mates with your collection of synths that support Gate Triggers to create exclusive sonic offspring. Use it with supported homebrew hardware, classics or modern machines and infuse Rhythm Wolf DNA into all of your creations.
Get a custom noise, grit and distortion effect completely unique to this breed of instrument. The Howl knob lets you mangle the music into all-new textures, transitions and progressions that snarl, bark and howl. Use it as an effect or a part of your signature sound that stands alone on the food chain.
|Engine Detailed||1 VCO Waveforms: Saw Down, Saw Up, Square. 4 voices for drum, 1 for Bass synth|
|Filter (VCF)||1 12dB Slope (2-pole), Low Pass, Resonance|
|Envelope (VCA)||1 Decay|
|Memory||16 ROM, 16 RAM|
|Audio||Mono out for Drum and for Bass|
|CV-gate||Gate trigger I-O|
|Legend:||Obvious||Y: Yes, N: No, N/A: Not Applicable|
|VCO||Voltage Controlled Oscillator||DCO||Digital Controlled Oscillator|
|LFO||Low Frequency Oscillator||Sub||Sub Oscillator|
|VCF||Voltage Controlled Filter||VCA||Voltage Controlled Amplifier|
|Velocity||As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key.||Aftertouch||Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.|
|Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.|