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Akai | MPC5000 |
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Description | MPC5000 takes the MPC further with over 100 new capabilities, most notably internal, streaming multitrack recording and onboard virtual analog synthesis. The advances in MPC5000 are numerous. Just a few include a new, high-resolution sequencing engine, 64-track continuous sampling, a newly engineered effects engine, random and cycle-sample playback, turntable preamp, the completely new virtual analog synth, the eight-track direct-to-disk recorder, and 650MB of premium sounds. MPC5000 includes an 8-track streaming hard disk recording, a 20-voice, 3-oscillator analog synthesizer with arpeggiator, a new sequencing engine with 960 ppq resolution, pad and track muting and mixing, 64 continuous sample tracks. There's even a new effects engine with 4 effects buses and two effects per bus. In addition, MPC5000 features a 64-voice drum/phrase sampler with 64MB memory - expandable up to 192MB. The display is twice the size of MPC2500 and MPC1000 so waveforms appear crystal-clear. Integrated Chop Shop 2.0 now supports stereo chops and Patched Phrases. MPC5000 is also the first MPC to include Random and Cycle sample playback in addition to velocity Zone Play. A turntable preamp is also included. MPC5000's virtual analog synth eliminates need for external analog synth modules or buggy software based synthesizers. The new 8-track direct to disk recorder lets you produce your whole song in the MPC and then mix it down with the internal sequenced programs and any input thru material. Add the optional CD/DVD drive and you can then burn an audio or data CD or your mix. Over 650MB of sounds from Loopmasters are included to get you up and running with pro-quality production in seconds. |
| Brand | Akai |
| Model | MPC5000 |
| Device | Sampler |
| Type | Desktop |
| Engine Type | Digital |
| Engine | Sample, VA |
| Voices (max) | 64 |
| Multitimbral | 16 |
| Oscillators | 4 |
| LFO | 2 LFO Parameters: Sample & Hold, Saw Up, Saw Down, Square, Triangle |
| Engine Detailed | 3 OSC with Waveforms: Pink Noise, Pulse, Saw Down, Saw Up, Sine, Triangle, White Noise and 1 for sample |
| Sampler | 16-bit, 44.1kHz, Stereo. 64-voice drum/phrase sampler with 64MB memory - expandable up to 192MB |
| Filter (VCF) | 12dB Slope (2-pole), 24dB Slope (4-pole), 48dB Slope (8-pole), All Pass, Band Limit, Band Pass, Band Reject, Band Stop, Formant, High Pass, Low Pass, Resonance |
| Envelope (VCA) | 2x ADSR |
| FX | 4 stereo busses with 2 stereo effects per buss, and Master effect: 4 band EQ, Compressor |
| Sequencer | Built in Arpeggiator inside virtual analog synthesizer |
| Recording | 8-track streaming hard disk recording, sequencing engine with 960 ppq resolution, pad and track muting and mixing, 64 continuous sample tracks |
| Keys | 16 |
| Key type | Pads |
| Velocity | Y |
| Aftertouch | Channel |
| Audio | Stereo in-out, 8 assignable out, Digital I-O, ADAT out |
| Midi | 2xI 4xO, USB |
| Produced: | 2008 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
